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Alterity Atelier

Permanent Link: http://ncf.sobek.ufl.edu/NCFE004496/00001

Material Information

Title: Alterity Atelier
Physical Description: Book
Language: English
Creator: Duvall, Nathan C.
Publisher: New College of Florida
Place of Publication: Sarasota, Fla.
Creation Date: 2011
Publication Date: 2011

Subjects

Subjects / Keywords: Painting
Sublime
Art: Technological
Landscape
Figure
Genre: bibliography   ( marcgt )
theses   ( marcgt )
government publication (state, provincial, terriorial, dependent)   ( marcgt )
born-digital   ( sobekcm )
Electronic Thesis or Dissertation

Notes

Abstract: Through a series of landscape oil paintings and aquatints, I depict the contemporary individual's estrangement from the world by the effects of mediation. The source material � staged photo-shoots and live webcam feeds, imply the distanced and filtered gaze of the contemporary individual whose access to the world is mediated by cultural beliefs and digital information. The work depicts an unfulfilled desire for freedom from the limited self � a yearning for the sublime � a completion brought about by subject-object collapse, the absolution of distinctions between self and other. This yearning for transcendent wholeness is situated in opposition to the �technological sublime,� which asserts that transcendence of the individual's limitations can be achieved through outward conquest and subjugation of the world. Yet, the contemporary man pursues the former by means of the latter � fulfillment of an inner state through outward action � and by doing so, remains unresolved. This dilemma is explored through landscape painting, with an awareness of the genre's historical function as a medium of objectification. In exploration of these issues, I have considered the work of other artists including Caspar David Friedrich, Thomas Cole, Peter Doig, Gerhard Richter, Walter DeMaria, and David Park, as well as the philosophy of Edmund Burke, Immanuel Kant, and Jean-Fran�ois Lyotard.
Statement of Responsibility: by Nathan C. Duvall
Thesis: Thesis (B.A.) -- New College of Florida, 2011
Electronic Access: RESTRICTED TO NCF STUDENTS, STAFF, FACULTY, AND ON-CAMPUS USE
Bibliography: Includes bibliographical references.
Source of Description: This bibliographic record is available under the Creative Commons CC0 public domain dedication. The New College of Florida, as creator of this bibliographic record, has waived all rights to it worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law.
Local: Faculty Sponsor: Anderson, Kim

Record Information

Source Institution: New College of Florida
Holding Location: New College of Florida
Rights Management: Applicable rights reserved.
Classification: local - S.T. 2011 D98
System ID: NCFE004496:00001

Permanent Link: http://ncf.sobek.ufl.edu/NCFE004496/00001

Material Information

Title: Alterity Atelier
Physical Description: Book
Language: English
Creator: Duvall, Nathan C.
Publisher: New College of Florida
Place of Publication: Sarasota, Fla.
Creation Date: 2011
Publication Date: 2011

Subjects

Subjects / Keywords: Painting
Sublime
Art: Technological
Landscape
Figure
Genre: bibliography   ( marcgt )
theses   ( marcgt )
government publication (state, provincial, terriorial, dependent)   ( marcgt )
born-digital   ( sobekcm )
Electronic Thesis or Dissertation

Notes

Abstract: Through a series of landscape oil paintings and aquatints, I depict the contemporary individual's estrangement from the world by the effects of mediation. The source material � staged photo-shoots and live webcam feeds, imply the distanced and filtered gaze of the contemporary individual whose access to the world is mediated by cultural beliefs and digital information. The work depicts an unfulfilled desire for freedom from the limited self � a yearning for the sublime � a completion brought about by subject-object collapse, the absolution of distinctions between self and other. This yearning for transcendent wholeness is situated in opposition to the �technological sublime,� which asserts that transcendence of the individual's limitations can be achieved through outward conquest and subjugation of the world. Yet, the contemporary man pursues the former by means of the latter � fulfillment of an inner state through outward action � and by doing so, remains unresolved. This dilemma is explored through landscape painting, with an awareness of the genre's historical function as a medium of objectification. In exploration of these issues, I have considered the work of other artists including Caspar David Friedrich, Thomas Cole, Peter Doig, Gerhard Richter, Walter DeMaria, and David Park, as well as the philosophy of Edmund Burke, Immanuel Kant, and Jean-Fran�ois Lyotard.
Statement of Responsibility: by Nathan C. Duvall
Thesis: Thesis (B.A.) -- New College of Florida, 2011
Electronic Access: RESTRICTED TO NCF STUDENTS, STAFF, FACULTY, AND ON-CAMPUS USE
Bibliography: Includes bibliographical references.
Source of Description: This bibliographic record is available under the Creative Commons CC0 public domain dedication. The New College of Florida, as creator of this bibliographic record, has waived all rights to it worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law.
Local: Faculty Sponsor: Anderson, Kim

Record Information

Source Institution: New College of Florida
Holding Location: New College of Florida
Rights Management: Applicable rights reserved.
Classification: local - S.T. 2011 D98
System ID: NCFE004496:00001


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Full Text

PAGE 1

ALTERITY ATELIER BY NATHAN DUVALL A Thesis Submitted to the Division of Humanities New College of Florida in partial fulfillment of the requirements for the degree Bachelor of Arts Under the sponsorship of Kim Anderson Sarasota, Florida Dece mber, 2010

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fbbttfbtff#(tfft fbtntnntf#btttfbb t$ffbbttbtfft#&&b frbbftffrbfbtrbrfbbbfb fbffbftf ,b&&b ffbtfbbb t(t ,ftf#fbbfrb$nbffftfb frb$tnftttbfftfbtfftt @brbtftffbfbfttffbtftff ttfbbtftntftftfbtttbt ttfbbfttff>ffffftff rftffbtnbfnfftfb 66

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